uabos, aka matteo pepe, is a young and rising start from the fashion capital of europe. this milan musician melts the mediterranean with 707 attitude, connecting his homeland with the iconic floor grooves of chicago. warbling acid warmth gives way to spiralling female samples as dusk sets in. the track is pure golden sunshine. tweaked bars are woven through clean drums to form an energy-filled track of explosive properties. polished rhythm patterns scaffold the ep. from this solid base flow clever melodies and dancefloor subtlety. 303s trickle against thick and rich chords for the textured tones of abc dream . uabos grabs his audience, holding them with hypnotic harmonies and an entrancing elegance. but with that is an intoxicating funk, one epitomized in the drill . toms and pads introduce. snares snap as a deep and dense build is constructed, layers bubbling arpeggios support cascading chords for a chitown streaked disco romp. the finale, squash , is living musical liquid. a syrup of synthesized squawk squirms under soaring notes and crisp beats for a jackin infusion.

repress 2015 ** boulangerie finally the mighty pepe bradock adds another 4 tracker to his unparalleld run of marvelous releases on his atavisme imprint: every single one is a collectable timeless masterpiece and this one is no exception. a glorious synopsis of his unmistakable style fusing snippets of jazz, film soundtrack and eccentric humor and a huge atmospheric range from spooky to buyoant often changing in seconds but always keeping that instantly recognizable quirky swing. and as if all this werent already enough reason to rejoice, keep in mind: this is only the first part!

spanish techno purveyors exium make their debut on detroit underground with a smashing ep of thunderous, mind-altering techno. from the restrained beginning of true force, you might not know you are in for shock therapy, but midway through the a1 cut, the intent becomes clear.

finale sessions founder michael zucker steps into the limelight with his first full ep for the label in the five years it has been running. zucker has of course featured on a handful of split releases from finale but he doesn t waste any of the space afforded here with a quartet of superb and varied productions. leading the way, techno track his spirit bristles with life and percussive energy whilst inner city peace will likely raise some interested eyebrows in west london thanks to its killer broken beat programming. face down, zucker dips into his personal archives for an unreleased and rather crisp remix of introspective and jenifa mayanja hookup when the rain comes down whilst the wonderfully named spiritual graffiti ends the release on a high note

it’s not often that a breakthrough producer manages to cause major hype after just one release but when that artist is from the uk, putting out a brilliant ep on moodymann’s mahogani music, you start to realize how it happened in dan shake’s case. now its time for dan to build on this incredible start and from the way things are looking it’s safe to say it’s all going in the right direction. another rising star from the uk is wolf music regular medlar who has been making serious waves the last 5 years. remixes for the likes of glenn astro and disclosure have all helped put him in the spotlight and his debut lp sleep from 2013 delivered in spades. so when the news that these two were joining forces for a collaborative project reached us here at d.o.g we wanted in on the action.

meanwhile returns having celebrated its 10 year anniversary, not by releasing a swanky box set, but by taking a year off. first release on the fully rejuvenated meanwhile is from sen aka john shern who forms part of the satellite religion collective along with g.r.i.t, future thought tapestries, channel 73 and space_ci. here he delivers 25 minutes of deepest machine music spread over 2 tracks. a side future thoughts jazz is a deep drifting detroit infused journey through the far reaches of outer space, while the b side wars of truth(reseen) is an epic slice of heavy clanking industrial rhythms and deep textures. the release is also the first to feature artwork commissioned by sometime meanwhile recording artist samuel van dijk aka mohlao, inward content, vc118a, multicast dynamics. so, both sonically and visually this release sits perfectly within the meanwhile catalogue of quality not quantity.

fel sweetenberg strikes back with a new opus on effiscienz records! but this time it is more the beatmaker than the emcee that we discover even if he is featured on a few tracks. this new album is the result of the partnership between camdens finest emcee/beatmaker and queens notorious starvin b. fel delivers minimalist soulful beats that perfectly fit starvins devastating flow who drops precise and technical rhymes effortlessly all over the project.

2015 repress ...walk on in, walk on in, walk on in…. these are the words you ve no doubt heard reverberating around clubs and festivals all year. the man behind this gospel-powered beast is none other than welsh-born, berlin residing doc daneeka. walk on in will be released on 4th november on limited vinyl and digital, with the slightly darker but equally demolition friendly b-side trife pt ii. support so far from jamie xx, joy orbison, oneman, jd twitch, will bankhead and panorama bar stalwarts nick hopner and nd baumecker.

a: christopher rau_people see: dérive is de retour! and time always waits for this man: christopher rau, dérive’s infamous impresario who offers you a delightful floating track on the a-side, its tricky and nonetheless very danceable rythmn should encounter you on the dancefloors in a spring-like mood. b: christopher rau_sekt é ron: on the back-side christopher shows his other musical side: dark, tripping, meditating. but what does the title mean? probably he doesn’t know either. however, its cryptic style fits the inscrutable shape of the track. well, you’ll hear from us at the latest next year again – approximately! – according to the gentle beat of dérive …

martyn dropping his second one on dollydubs. once more the dutchman is delivering a masterclass in contemporary dance music. on block the box you ll find 3 tracks with roots tracing back to the early nineties underground rave spirit, but with that special energy that will unite future dancefloors worldwide. subs, strings & breaks are all present, shifting back and forth between hedonistic ecstasy an moody melancholia. instant magic guaranteed!

myk derill is one of the most interesting dub-techno artists. here he offers four great tracks of high quality and class. never hard but never soft. myk derill takes a turn for a more broken rhythm industrial looped with vocal.

markantonio can rightly be described as one of italys true techno titans, working tirelessly as he has since the late nineties to bring the tougher side electronic music into the light. recording for labels such as marco carolas design music, billy nastys tortured records and umeks recycled loops, markantonio has spent the last 16 years on the cutting edge of quality techno but it was with the launch of his analytic trail imprint in 2001 that he perhaps truly came into his own. the label became a hotbed for emerging and established names as markantonios own productions sat alongside releases from the likes of jospeh capriati, davide squillace, rino cerrone, & paco osuna. away from the studio he established himself as a global dj, taking his own unique sound on to the road, across europe and beyond and garnering fans wherever he went.

evan caminitis slow but steady progression towards electronic music from sand-swept guitar drone mirrors the pace of the music he makes. it has been measured, each move well-considered and clearly intentional. caminiti has immersed himself in electronic production on meridian, creating organic sounds through his machines, patching sounds that recall the brassy resonance of horns and hazy choral clusters. synthesizers hiss and crackle under layers of reverb and fog. sounds undulate and implode in upon themselves, with bursts of noise dropping in and out to create shadows of rhythm. caminitis electronic systems do not run autonomously - the sounds heard on meridian required real-time human interaction to bring them to life, and that human touch is essential to the mysterious atmosphere he produces on this new album.

here are some plain and simple cuts by yours truly credit 00 that push just the right buttons to make people move. the tracks were made exclusively for his live set but they are too good to keep them back. without superfluous frills these four bangers scream party in every note but as usual with credit 00 theres also a melancholic side somewhere behind those tricky beats. house is a feeling!

the new generation can t be stopped.. another fresh new label with some ace tracks.. rhythm nation with terriers deliver three heavy and intense techno tracks ranging from raw (without getting harsh) to deep intense string loaded detroit rooted techno. no peak time techno tools, but tracks we ll play over and over. the pair spent the summer of 2014 under the tutelage of levon vincent, working on their distinctive and elegant sound that belies their young years.

nick the record teams up with dan tyler (idjut boys) for a fresh edits mission, a record mission ! as you d expect from one of the uk s most respected record dealers and an idjut sidekick, these are delightfully obscure but utterly deadly cuts lovingly extended and amended for those of discerning ear, and a lightness of foot
vinyl only - one press

slowmotion is born from a collaboration between hakim murphy and vince noog. noog has been rocking more on the techno tip over the years with releases on his label, but when the collaboration took place, beat-down feels appeared causing some house jams to develop. the ep is called beats from lugdunum, but why? lugdunum is the old school name for lyon and the surrounding areas, and these tunes were conceptualized, composed, and beated right there.

pure badness all over this 1979 jamaican disco-funk odyssey! king sporty should be no stranger to those of you with a keen ear for esoteric underground disco sounds, his tracks have been getting serious play by top shelf, discerning jocks since the 1970 s & his konduko label has dropped many a left-field bomb on unsuspecting dance floors! fire keep on burning is one such bomb, an lp crammed full of unstoppable stripped back island sounds, too many killer cuts to mention but just check out the og version of get on down for starters! an essential & extremely rare record & one that deserves a spot in any self respecting disco lovers collection. %100 heat on here, party jams from start to finish, let s go to the disco!

oliver dollar is known for his loyal service to the underground for the last decade, and more recently, for his cross-over chart hit pushin on. today he announces news of the first single which will see the launch of his brand new label, industry standard. shout away is a collaboration with chuck daniels, a dark-disco club ready cut that was made recently in detroit. of the new label oliver comments i always wanted to do a label, but i think now is the right time to do it. the vision is to have crazy quality control, i dont want to put out a release every month. shout away sees a release just in time for summer with info of new music from the label coming soon.

yoruba records is happy to release this dance floor ready ep by label head osunlade. stretching across a range of styles theres something for everyone in this release, an absolute must for every djs bag. the ep opens up with the title track, what pho. a relaxing jam driven by a powerful sounding grand piano and complimented by shakers, the added backing percussion and subtle bird chirps lend well to the creation of this tracks rainforest-esque mystique. next up is the deep, almost jazzy track – jus anuda groove. the rolling bass line and four to the floor beat will get you moving – and keep you there - as osunlade reminds us that this is just another groove. opening up the b-side is schavanna, a funky, guitar-driven track whose pulsating bass line and friendly but muffled vocals will keep people moving on the floor. finally, the ep closes with the waiting game, a hypnotic, tribal-learning track with a foot-stomping beat, colored with the seductive vocals of rainy payne, its hard to tell which is more captivating, the groove itself or the story line she unfolds.

pittsburgh track authority return with a new single-sided limited edition edits record on the imprint that bears only their own logo. “i always wanted to be in a band” kicks things off in an early 70s soul jazz style, with infectious vocals and catchy horns doing the damage. next, a flute driven cover of the dance classic “lowdown” keeps the disco-funk vibes of the original but with added springtime/summer vibes. both of these have done damage for pta at their gigs, and now they can do damage for you at yours. a fitting end to the magenta logo series!

frits wentink launches his new label bobby donny with ‘live fast, dwayne young’. bobby donny has been set up to primarily feature frits wentink’s own tracks, but focusing on the wonkier, more lo-fi house edge of his sound. the emphasis will be on tracks that are hardware jams on rhodes, juno 60 or mpc, then structured later. frits wentink has already garnered a huge fanbase for his quirky, innovative and characterful house music on a number of forward thinking labels like wolfskuil, 2020vision, heist and wolf with his recent debut album, ‘rarely pure, never simple’ on the latter, gaining much critical acclaim.

nice price deal !!! do you ever listen to a record and worry about its creators sanity? granted, it rarely happens, but in the case of innercity (antwerp producer hans dens) it is a legitimate concern.
the limited vinyl lp includes a downloadcode.

• billy nasty’s electrix recordings returns with a new ep by fleck e.s.c.
• very limited vinyl pressing features solid remixes from carl finlow and pip williams
franck collin, aka fleck e.s.c, is an electro artist originally from france but currently living in tokyo. franck’s earlier experience playing bass and drums in bands and his love of horror, science fiction and b-movies, naturally drove him to the electro scene. with additional influences rooted in new wave, contemporary, techno and ambient, fleck e.s.c tries to avoid the clichés of electro, leaning more toward the spooky side of horror and sci-fi and the cheap retro sounds in tribute of the movies he loves. never too serious or pretentious and always striving for fresh sounds, fleck e.s.c’s music aims to distract the body and the brain.
his ‘nice guy ep’ comprises two killer new tracks that emphasize this sound, the dappled ‘what r we waiting 4’ and the ominous tones of ‘nice guy’. remixes of the latter come from london modular’s pip williams with a sweeping rendition, alongside the mighty carl finlow who also adds his magic touch...

marvin & guy was born in 2011 from the children of two different musical generations with a shared knowledge of how to make people dance. influenced by legendary djs such as ron hardy, larry levan or tee scott, their sound is firmly rooted in disco but keeps evolving with each release. in their debut ep for hivern, they keep expanding their palette with three tracks that push the boundaries between the disco culture and a techno spirit

the second part in the hudd traxx 10th anniversary *now & then* compilation sees tracks from luna city express, sek, iz & diz and rick wade. berlin duo luna city express serve up a lush deep house groove that builds throughout the track, and will bring a smile to the faces of those who follow them on their beloved moon habour recordings. sek uses slick beats, trippy leads, a driving bassline and some *thug life* vocals to ensure this one has future classic written all over it. go back in time (to 2006 to be precise) on the then side to find iz & dizs *happy*. the words epic & journey are often misused in music but both can be mentioned about this track. it had devastating effect on first release and is set to do the same again nearly 10 years later. rick wade closes things out in fine style to fly the detroit flag on an all chicago / detroit side.

nice price deal !!! after a year of silence, the mosso imprint returns with a new record charged with perfectly crafted percussions, hypnotic basses and the unmistakable mosso rhythms. 2014 was a calm and introspective year for alejandro, who spent the most part of it writing a soon to see the light album and a series of singles for 2015. ! the catalogue 006 is a blunt call to your feet and basic impulses. it awakens your deepest nomad nature and puts you in movement for the next adventure. ! the a side opens the record and immediately pushes you into the water flow of the dobagan river from where it takes its name. meandering melodies carried by rolling waves, so vigorous that it feels impossible to escape, driving you until the very end of the stream. a sound journey thru north argentinian landscapes. ! formosa on the b side, pulls you against the tide in a slower but not less seductive manner. a laid-back pace of precisely tailored congas opens up the way to a drifting pad filled with tension, slowly swallowing you into an unknown territory. it feels exotic and unexplored, yet so undeniably pleasant.

having produced one third of nas generation-defining illmatic, large professors place on the pantheon of hip-hop heavyweights is already etched in stone. when you add in his groundbreaking debut as a member of main source - or the fact that he has collaborated with luminaries like pete rock, a tribe called called quest, busta rhymes, mobb deep, masta ace, and big daddy kane - it is crystal clear that the mans influence towers high above the history of the hip hop.
with fat beats records’ release of re:living, large professor builds on his already impressive discography with an entirely self-produced record that delivers all the crisp drums, razor-sharp scratches, and innovative uprock grooves that define his signature sound. *i m moving forward,* large says, *but i went back to an earlier formula. with this project i feel like it is the closest that i take it back to that main source style.*
featuring roc marciano, inspectah deck, cormega, g-wiz, fortune, and lord jamar, re:living shines a spotlight on new yorks best voices from the golden era to today. but above all, large professor lets his production do the talking - and with a legacy like his, beats speak louder than words.

the third installment of silent movie sounds series features music from four producers each delivering a different cut of deep, hypnotic music. japanese artist mituo shiomi is a regular on simoncino s hotmix records. he kicks off the va with a mesmerizing house track. fresh from his ep on fina records, detroit-based producer appian contributes a thumping track to this 12inch. russian producer alex danilov returns to rhr with a love story to acid. last but not least, the chicagobased coowner of perpetual rhythms, nick marshall aka taelue closes the ep with a deep and emotional track with a solid kick and smooth synth lines.

on the back of the recent bpltd005 from rumah & progression, we present another hand stamped white label release courtesy of r&b...
• hand stamped white label from ruskin & broom
• june 2015: blueprint brings us not one, but two great new titles

the new wave of dutch brutalist techno. ekman and drvg cvltvre have been forging a sound steeped in bunkers nihilism and dystopia but also very much their own. ekman drops two piping hot tracks that blend distorted machines with hypnotic melodies and drvg cvltvre drops a prolonged 15 minute workout in uvb static and communications, propelled by a heavy beat and a 303!

every week end im going to concrete to listen the artists who are playing there. i m talking about music with them , and do the same with people sharing the dancefloor with me. i collect all these inputs and ideas, all this energy, to define what concrete music dna is. because of this variety of people, tastes, and point of views, the label can t be reduced to one and only genre. to make the music more easy to apprehend, we are splitting the label in 3 parts, 3 differents moods, or more precisely, 3 times of the day... concrete music 7am contains the kind of music you could easily listen in our club at dawn, when the light is blue and the sun starts to filter through the mi-closed shutters. minimalistic, freaky or mellow, but always deep. concrete 3pm is definetly turned to house music. 3pm is the time when smiles are on every face, when the same vibe, the same energy, is going through every stomach in the room, and the crowd becomes one same entity. concrete music 4am aims for the more techno and black side of the music we love. at 4am, fists are pumping the air, or heads are down and eyes closed. it s not about how hard or fast the kickdrum beats, but how thick the atmosphere is.

spilt milk return with their second release from mr spilt milk himself tred benedict. tred drops a tasty original track full of groove and energy, alot like the man himself. on remix duties, label favourite marcashken turns a wonderful interpretation and the awesome mihai popoviciu takes things up a notch with a classy techno work out. the final track is another original but this time in collaboration with label partner st. bernard, with the pair dropping a rather murky minimal number with some choice words from one of their idols.

jaumet is back,but not alone,he asked 3 remixers to revisit his track la visite.on the a side,we have a brand new band from duseldorf,the wilde jagt.we know the boys from their previous band,der rauber und der prinz(released of desolat)which a favorite from everyone at versatile.thet deliver a surprising mix of la visite,in a pure kraut fashion(neu is not that for).on the flip,the french man low jack turns the tune into a dub marécage.multi layered music typical of the low jack.and finally,gilb r,so inspired by jaumet,delivers his own ambiant version of one the highlight of jaumet s album,midnight man(a tribute to i:cube who use to come at the studio at night at that time)

eddy & dus are long standing and highly respected croatian dj and production duo eddy ramich and zvonimir dusper. theyve been responsible for many classic remixes on labels such as compost, especial and schema but after a long hiatus were happy to say the boys are back, on their best form yet and now we can present to you the mighty a from b.

one of the uks most enigmatic bootleg labels returns for its fourth installment of dancefloor bombs and feel good hits. following the trail blazed by early bootleg pioneers such as ron hardy and john morales, boogiefuturo presents two instant classics for the edits hall of fame. * give me some emotion* features an expertly amped-up sample of a particularly well-known female vocalist (we don’t want to give too much away now). jamie bull’s edit respectfully takes the track into the 21st century, with solid, punchy drums and big room snare reverbs to support the original boogie funk synth lines and staccato guitars. sing along vocals and catchy hooks make this a fine addition to any vinyl junkie’s record bag. ‘lovin’ spree’ continues the boogifuturo tradition of tasteful edits. neil diablo loops an infectious guitar hook with the addition of low growling synths and rhodes keys, to build the track into a crescendo timeless disco strings, chant-along vocals and killer sax solos. an underground classic on the disco scene but never reaching the heights of commercial success, diablo presents an edit to give this forgotten record new life. boogiefuturo is vinyl only and strictly underground, this won’t be played out by everyone – this one is for the purists, the vinyl addicts, the one’s that reminisce over the days when the white label ruled…

introducing dylan stark. 2015s most deserving anti-hero. his quiet rebellion starts here. tropical, celebratory and alive, heartland sounds a like parade and a jungle. it has the cant quite put your finger on it, coming of age pureness of grimes, and the raw emotion of a burial record (but in a joyous way). it is pc music plus animal collective.
the double vinyl lp includes a download code.

in this second acid act, the artists xerosorex and sour, lead us in one of the place that much have characterized the scene of the freeparty: the abandoned plant. in this foundry, between production waste, tangled sheets and shrubs risen between cement, theatmosphere is dark and enthralling. night has fallen for a long and strobe slow down even more movements, but the groove is pressing and acid lines steal minds.

the brooklyn based producer and white material records affiliate galcher lustwerk reemerges with a new imprint and four of his own deep, contorting house cuts with the parlay ep. fans of his 100% galcher promo mix will immediatedly recognize the tracks on this release, which have been remixed and calibrated for club play. the hazy but hard hitting production and laid back vocals are all here, with a bonus dub version of the title track.

italian born producer distant memories with a four track ep via london based label, wunderkammer recordings. the ep starts with degrado (a1) that belongs to a segment of works named originally “untono” because of the minimum employment of sound elements in the composition. few and simple sonorities to describe the disapproval on the current conditions of things. compulsive (a2) is a track with a more deep feeling that proceeds untill the end around a sharp kick and spectral and obscure sounds. it is crystal clear that this tune represents a compulsive behavior. while mentale (b1) has a good speed with a deep ambience. is a mental but natural progression of sounds that evolves maintaining an incessant and hypnotic journey with a classic refrain that characterized late ’90 trance records. a never-ending cycle minimalism aesthetics of the whole ep.

for our seventh excursion into sound, we bring you 2 weapons from different sides of the globe, but with a common theme.
we welcome to the label two extremely talented sound sculptors from mexico, kaban & di rugerio. both boast a string of innovative sounds released on some top notch labels, but here they have teamed up to bring us something really special. *overflow* is a swirling nemesis of a track, with crashing drums and tribal percussion flowing around huge electrical pulses that inject pure energy into the dancefloor.
boom merchant follows up last years hugely successful *stars/green symphony* with another perfect balance of rhythmic and melodic elements. *surge* is a track that always generates a huge reaction, built around a tight groove with plenty of action in the low end. it is literally smeared with electrical charge and doused in layers of harmonic goodness.
we hope these tracks put a smile on your face.

over the hill is daniel savio and samo dj. here with something similar to a road movie but without the road or the movie.

this year is the 2nd year of polen and right now we are presenting the fifth record. louis is a drummer, a bassist, a musician and a dancer and this is his ep for polen. it was a lot of recreating and a lot of shifting to get the end result, but it was worth waiting for. music for dancefloor, for mornings and afternoons, for dancing feet and chosen ears. the art work is made by anne-sophie kneer.

this second release on dialegestai is our homage to romanian minimal house and techno music. one track by a household name, the other by the equally talented - but still very unknown - vlad radu. in our humble opinion both tracks have a certain unique quality and vibe to them. the question minimal and trippy, the answer haunting and mysterious :) we hope you enjoy them as much as we do!

its dub, but reverberating far beyond the genres borders. its what jpattersson describes as progadub.

rising label 04 is coming with a very complete ness ep which includes a ben gibson remix. >chronoscope< is the intro track that opens the release, a beautiful landscapes piece where ness shows his love and dexterity for the ambient music. following, >pantropy< is already starting with a heavy kick, far voices layered between the percussions and a sweet melody developing and coming up with that >trancey< touch that ness is able to do. on the b side comes >uchronia<, the track from where the release take the name, a strong broken track with shaped and dynamic percussions where some >chronoscope< landscapes are used flowing as the track goes on. to close the ep ben gibson delivers a classy >uchronia< remix going simple but effective, a perfect balance between gibson style and ness track that totally works out on the floor and makes the prefect closing track for that release.

nologo is back with 2 essential, tried and tested underground club tracks. orlando b serves up side a with dark world, an epic, slow burning, dark-house journey. dark world begins completely stripped back before the main hook, an eerie hypnotic vocal is introduced. funky percussive elements creep in which drive the piece forward and a deep minor pad heightens the tension setting the tone for the rest of the track. the energy builds gradually with the addition of a 303 bass line peaking just before the end, taking the listener on a dark hypnotic trip. on the flip, is none other than house & techno legend mr g who uses the dark world vocal but takes it somewhere new providing his own unique and distinctive flavour. mr gs rum remix is a dark and twisted peak-time banger, the high energy from the off set perfectly complementing the slower vibe of the original. plenty of sub and twisted synth action keeps the momentum high and the dark stab he uses punctuates the vocal nicely giving it a raw edge. dark world is an essential addition to the record bag for darker dancefloors. dj deep: i love this, your remix is super funky and dark at the same time!!! dope! tom (panorama bar): ufff nice and dark.....another mr g gem. to be served with the rum rush...

to release a new piece of music, it would seem, is to enter a competition for approval and appearances: who will play that track and how many will follow. likes. clicks. transient signs of appreciation, or perhaps just vague nods of confirmation. but what about all those values inherent in music that just cant be quantified? if merely one single person would listen to these songs and find herself or himself genuinely moved by them, wouldnt it be worth it? we think so. we really do.

ltd to 100 copies --- the eight heulsuse comes by hanne & lore themselves, boasting with some cripsy kickdrums and distinctive bars to keep the dancefloor bouncing. *samara* should definitely roil up the whole zone with the venturesome title track itself. but just in order to clean it up again, the b-side brings the avowed style back to the next level - the clue is in the name with *come clean*. the tape release includes a download code.